尾形光琳筆 松竹に鶴図屏風|Cranes, Pines, and Bamboo
The Met
Artist: Ogata Kōrin(Japanese, 1658–1716)
Date: early 18th century
Department: Asian Art
Classification: Paintings
Medium: Pair of folding screens; ink and color on paper
Dimensions: Image (Right screen (4-panel)): 65 3/4 in. × 8 ft. 5 1/4 in. (167 × 257.2 cm) Image (Left screen (6-panel)): 65 3/4 in. × 12 ft. 7 1/4 in. (167 × 384.2 cm)
Credit Line: The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Visual Descriptions
AI GeneratedVisual Summary
Brief Description
Two cranes stand by water and rocky shores, beneath gnarled pine trees
Detailed Description
A natural landscape scene is depicted across multiple panels. The background is a light, off-white color, divided into four vertical panels by faint lines. In the upper half, several large pine trees with dark green needles and gnarled, brown trunks extend across the panels. Their branches reach towards the center and right. Below the trees, a body of water with faint, wavy lines indicating ripples occupies the left half of the lower section. Along the water's edge and extending into the lower right, various rocky outcrops and small, rounded hills are depicted in shades of green, brown, and light blue. Some small red flowering plants with green leaves grow on these rocky formations. Two large cranes are prominent in the foreground. The crane on the left stands facing right, with a long, slender neck, a white body, dark gray wings, and a distinctive red patch on its head. Its long, dark beak points slightly downward. The crane on the right stands facing left, with its head tilted upwards and its long beak open, also displaying a red patch on its head. Its body is similar in color to the first crane, with white, dark gray, and a long, slender neck. The ground beneath the cranes is a light green.
Generated by gemini-2.5-flash
