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伝土佐光茂筆　芥子図屏風|Red and White Poppies by Tosa Mitsumochi

伝土佐光茂筆　芥子図屏風|Red and White Poppies

伝土佐光茂筆　芥子図屏風|Red and White Poppies

The Met

Artist: Tosa Mitsumochi(active 1525–ca. 1559)

Date: early 17th century

Department: Asian Art

Classification: Paintings

Medium: Six-panel folding screen; ink, color, and gold leaf on paper

Dimensions: 65 3/4 in. × 12 ft. 3 1/2 in. (167 × 374.7 cm)

Credit Line: H. O. Havemeyer Collection, Gift of Mrs. Dunbar W. Bostwick, John C. Wilmerding, J. Watson Webb Jr., Harry H. Webb, and Samuel B. Webb, 1962

View on The Met Website

Visual Descriptions

AI Generated

Visual Summary

Brief Description

Flowering plants emerge from a checkered pattern against a shimmering gold background

Detailed Description

The artwork features a shimmering gold background. On the left, two clusters of flowering plants emerge from the bottom edge. The leftmost cluster has one light-colored flower and one reddish-brown flower, with dark green stems and leaves. To its right, a similar cluster displays one light-colored and one reddish-brown flower, also with dark green foliage. Moving towards the right, a diagonal line separates the gold background from a large, checkered pattern below. This pattern consists of alternating dark blue-black and light gold-cream squares. Many of the light squares contain small, dark, circular motifs. The checkered pattern rises diagonally from the lower left to the upper right, creating a sloped base. Numerous flowering plants, with light-colored and reddish-brown blossoms, dark green stems, and leaves, grow from behind and on top of this checkered slope. The density of the plants increases towards the right, with taller stalks and more blooms. The bottom edge of the checkered pattern is irregular and undulating where it meets the gold background.

Generated by gemini-2.5-flash

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#13

土佐光吉筆　源氏物語図色紙　「藤袴」|“Mistflowers”

土佐光吉筆　源氏物語図色紙　「藤袴」|“Mistflowers”

Tosa Mitsuyoshi

late 16th–early 17th century

Album leaf mounted as a hanging scroll; ink, color and gold on paper

AIFigures in a building and garden, partially obscured by large golden cloud-like forms

#14

土佐派屋島合戦図屏風|The Battle of Yashima, from The Tale of the Heike (Heike monogatari)

土佐派屋島合戦図屏風|The Battle of Yashima, from The Tale of the Heike (Heike monogatari)

One of a pair of six-panel folding screens; ink, color, gold, and gold leaf on paper

AIA battle scene with soldiers on horseback, a castle, and many boats on a blue sea

#15

狩野周信筆　秋冬花鳥図屏風|Birds and Flowers of Autumn and Winter

狩野周信筆　秋冬花鳥図屏風|Birds and Flowers of Autumn and Winter

early 18th century

Six-panel folding screen; ink and color on silk

AITwo gold-leaf panels with heart-shaped medallions depicting birds, flowering trees, and water

#16

厳島吉野花見図屏風|Cherry Blossom Viewing at Itsukushima and Yoshino

厳島吉野花見図屏風|Cherry Blossom Viewing at Itsukushima and Yoshino

first half 17th century

Pair of six-panel folding screens; ink, color, and gold leaf on paper

AIA panoramic landscape with buildings, mountains, and numerous figures amidst golden clouds

#17

花見・紅葉狩図屏風|Cherry-Blossom and Maple-Leaf Viewing

花見・紅葉狩図屏風|Cherry-Blossom and Maple-Leaf Viewing

Pair of six-panel folding screens; ink, color, and gold on gilded paper

AIMulti-panel screen with numerous figures in a golden landscape, green hills, and flowering trees

#18

酒井抱一筆　桜図屏風|Blossoming Cherry Trees

酒井抱一筆　桜図屏風|Blossoming Cherry Trees

Pair of six-panel folding screens; ink, color, and gold leaf on paper

AIFlowering tree branch with white blossoms and reddish leaves against a gold and silver background

#19

波に扇面流し図屏風|Fans upon Waves

波に扇面流し図屏風|Fans upon Waves

mid-17th century

Six-panel folding screen; ink, color, and gold leaf on paper

AIScattered fans floating on stylized white and brown waves against a gold, multi-panel background

#20

商山四皓・蘇東坡風水洞|The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right

商山四皓・蘇東坡風水洞|The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right

Kano Mitsunobu 狩野光信

late 16th century

Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper

AIGold screen with robed figures, trees, mountains, and a pavilion with a seated figure